Was the experience of poetry - or a cultural practice we now call poetry - continuously available across the two-and-a-half millennia from the composition of the Homeric epics to the publication of Ben Jonson's Works and the death of Shakespeare in 1616? How did the pleasure afforded by the
crafting of language into memorable and moving rhythmic forms play a part in the lives of hearers and readers in Ancient Greece and Rome, Europe during Late Antiquity and the Middle Ages, and Britain during the Renaissance?
In tackling these questions, this book first examines the
evidence for the performance of the Iliad and the Odyssey and of Ancient Greek lyric poetry, the impact of the invention of writing on Alexandrian verse, the performances of poetry that characterized Ancient Rome, and the private and public venues for poetic experience in Late Antiquity. It moves on
to deal with medieval verse, exploring the oral traditions that spread across Europe in the vernacular languages, the place of manuscript transmission, the shift from roll to codex and from papyrus to parchment, and the changing audiences for poetry. A final part investigates the experience of
poetry in the English Renaissance, from the manuscript verse of Henry VIII's court to the anthologies and collections of the late Elizabethan era. Among the topics considered in this part are the importance of the printed page, the continuing significance of manuscript circulation, the performance
of poetry in pageants and progresses, and the appearance of poets on the Elizabethan stage. In tracking both continuity and change across these many centuries, the book throws fresh light on the role and importance of poetry in western culture.
Preface
Introduction
PART ONE: Ancient Greece
1. Homeric Greece: Courts and Singers
2. Archaic to Classical Greece: Festivals and Rhapsodes
3. Classical Greece to Ptolemaic Alexandria: Writers and Readers
PART TWO: Ancient Rome and Late Antiquity
4.
Ancient Rome: The Republic and the Augustan Age
5. Ancient Rome: The Empire after Augustus
6. Late Antiquity: Latin and Greek, Private, Public, Popular
PART THREE: The Middle Ages
7. Early Medieval Poetry: Vernacular Versifying
8. The Twelfth and Thirteenth Centuries:
Performing Genres
9. Lyric, Romance, and Alliterative Verse in Fourteenth-Century England
10. Chaucer, Gower, and Fifteenth-Century Poetry in English
PART FOUR: The English Renaissance
11. Early Tudor Poetry: Courtliness and Print
12. Late Elizabethan and Early Jacobean
Poetry: The Circulation of Verse
13. Late Elizabethan and Early Jacobean Poetry: The Idea of the Poet
Bibliography
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Derek Attridge obtained degrees from the universities of Natal and Cambridge and he taught at Southampton, Strathclyde, and Rutgers universities before moving to the University of York, where is he Emeritus Professor of English and Related Literature. He is the author or co-author of fifteen
books on poetic form, literary theory, and South African and Irish literature, and has edited or co-edited eleven collections on similar topics. He has held fellowships or visiting professorships in the USA, South Africa, France, Italy, Egypt, and Australia and he is a Fellow of the British
Academy.
Making Sense - Margot Northey
Moving Words - Derek Attridge
The Making of the Odyssey - The late M. L. West, OM
The Sonnet - Stephen Regan
