Acknowledgements
Introduction
Chapter 1: Imagining the phonograph, 1877-1888
Chapter 2: Travelling phonographs, 1888-1900
Chapter 3: Inventing the recording: gabinetes fonográficos and early commercial phonography in Madrid, 1896-1905
Chapter 4: Science, urban space and
early phonography in Barcelona, 1898-1914
Chapter 5: Gabinetes fonográficos in Valencia, 1899-1901
Chapter 6: (Dis)embodied voices: recording singers, 1896-1914
Chapter 7: Consuming and collecting records in Spain, 1896-1905
Conclusion
Table 1
Table 2
Table
3
Table 4
Bibliography
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Eva Moreda Rodríguez is Senior Lecturer in Musicology at the University of Glasgow. A specialist in the political and cultural history of music in modern Spain, she is the author of Music and Exile in Francoist Spain (Ashgate, 2015), Music Criticism and Music Critics in Early Francoist Spain
(Oxford University Press, 2016), and numerous articles and book chapters. In 2018-19 she held a Leadership Fellowship from the Arts and Humanities Research Council (AHRC), and her work has also received funding from the Carnegie Trust for the Universities of Scotland, the British Academy, and the
Leverhulme Trust.