Introduction: Acoustic Profiling
Chapter 1: Audible Transparency: Modernist Acoustic Design in Jacques Tati's Playtime
Chapter 2: Immersive Reflexivity: Documenting the Inaudible in Peter Mettler's Picture of Light
Chapter 3: Reflective Empathy: Soundscape Composition
and the Spatialization of Music in Gus Van Sant's Last Days
Chapter 4: The Schizophonographic Imagination: Visualizing the Myth of Sonic Fidelity in David Lynch's Twin Peaks
Chapter 5: Unsettled Listening: Tracking Vancouver's Contested Acoustic Profiles across
Media
Conclusion: A Position Piece
Index
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Randolph Jordan teaches in the Humanities department at Champlain College in Montreal. His research, teaching, and creative practice reside at the intersections of sound studies, film studies, and critical geography. He has published widely on the ways in which the fields of acoustic ecology
and film sound studies can inform each other, and is co-editor of Sound, Media, Ecology (2019). As a practitioner, his films and sound work have been presented internationally, most recently as part of the team behind the Impostor Cities exhibition, Canada's official entry to the 2021 Venice
Architecture Biennale.
Quietude - Joshua D. Pilzer
Audible Infrastructures - Edited by Kyle Devine and Alexandrine Boudreault-Fournier
Sound Design is the New Score - Danijela Kulezic-Wilson
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