Chapter 31: Visualizing Play
Figure 1 |
Figure 2 |
||||
By positioning cycling as a form of both sport and everyday mobility, bicycle manufacturers sought to reflect and reinforce the period’s broader social and cultural associations about fresh air, sport, and health. As Gillian Poulter explains (Chapter 22), by the last two decades of the nineteenth century, women were finding more “respectable” opportunities for participation in physical activity, something also reflected in these advertisements.
|
|||||
Figure 3 |
Figure 4 |
Figure 5 |
Figure 6 |
Figure 7 |
Figure 8 |
The interwar period was not only pivotal to the politics of booze, as Dan Malleck (Chapter 27) explains, but it was also a time of massive socio-economic upheaval that affected Canadians unevenly (especially with respect to social class).
|
|||||
Figure 9 |
Figure 10 |
Figure 11 |
Figure 12 |
||
Since the early twentieth century, postcards have been a quintessential artifact of tourism. Inexpensive to send, postcards have allowed mass-produced images of tourist destinations to circulate around the world. These four images all depict human encounters with bears in Jasper and Banff National Parks through the first four decades of the twentieth century. These four images were all drawn from the same archival collection, originally assembled by Toronto’s Department of Health in 1912–1913 as part of efforts to survey and regulate issues of public health in the city.
|
|||||
Figure 13 |
Figure 14 |
Figure 15 |
Figure 16 |
Figure 17 |
|
This is a series of posed portrait photographs depicting professional athletes in the 1940s and 1950s. Barbara Ann Scott and Maurice Richard were very famous at the time, while the other athletes in these photographs were better known regionally or to specific audiences.
|