PART ONE: GETTING STARTED
1. Develop Your Idea and Investigate Your Access
2. Building Characters and the Visual Story
3. Preparing for Collaboration
4. Paying For It: Fundraising
PART TWO: PREPRODUCTION
5. Preparation for the Long Haul
6. Planning for
Effective Interviews
PART THREE: PRODUCTION
7. Sound Considerations
8. Natural or Portable Lighting
9. Production: Shooting the Documentary
10. Producing for Small Screens and Mobile Devices
PART FOUR: POSTPRODUCTION
11. Using Music in Your
Documentary
12. Finding Structure for Short and Feature Docs
13. Editing the Documentarty
14. Starting the Buzz and Going to Festivals
15. Distribution
Appendix 1 Documentaries to See
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John Hewitt is Professor Emeritus in the Department of Broadcast and Electronic Communication Arts at San Francisco State University. His 2012 documentary on photojournalists, Deadline Every Second, appeared on public broadcast systems in Australia, Europe, Asia, and the United States. Gustavo
Vazquez is a Professor in the Department of Film and Digital Media at the University of California, Santa Cruz. His latest documentaries on popular culture, Que Viva la Lucha and Playing with Fire, have screened in film festivals in the United States and internationally.
Making Sense - Margot Northey and Joan McKibbin