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Oxford University Press is a department of the University of Oxford. It furthers the University's objective of excellence in research, scholarship, and education by publishing worldwide.

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Print Price: $134.99

Format:
Paperback
256 pp.
23 photos (b/w film stills), 6" x 9"

ISBN-13:
9780195432435

Copyright Year:
2011

Imprint: OUP Canada


Film in Canada

Second Edition

Edited by Jim Leach

Offering a current and comprehensive analysis of Canadian cinema in its political and cultural contexts, this new edition of Film in Canada introduces students to a cinema that is as diverse as the country itself. Major developments in Canadian filmmaking are explored in depth, from direct cinema and the national-realist films of the 1960s to later avant-garde projects and beyond. With detailed discussions on recent and well-established works by prominent Canadian filmmakers, along with new film commentaries and movie stills, this text is an invaluable resource for film students and film lovers alike.

Readership : A core text for introduction to Canadian cinema courses, most commonly offered at the second- and third-year level out of film studies and English departments at universities and colleges.

Reviews

  • "The book reads well from beginning to end as an evolving argument and discussion with many facets, yet it knits together without simplifying. . . Leach's discussion of direct cinema is the most useful I have found anywhere."

    --Roger Holdstock, Douglas College

Timeline
Introduction: Not Just Another National Cinema
Blame Hollywood
Screening the Nation
Identifying the Nation
Part 1: Imagining Canada
1. The National-Realist Tradition
Documenting the Nation
1964 Revisited: The Sense of a Beginning
The Persistence of Realism
2. Realism and Its Discontents
Questioning Cinema Truth
Too Real? A Married Couple and Les Ordres
Faking It: The Canadian Mockumentary
3. Traces: Space, Place, and Identity
'Vrais films de chez nous': Post-war Quebec Feature Films
Obliterated Environments: Space in Direct Cinema Fiction Films
A Sense of Placelessness: The Capital Cost Allowance Act and After
4. The Canadian Fantastic
Paul Almond's Fantastic Trilogy
Canadian Gothic
Lost and Delirious: The Films of André Forcier and Guy Maddin
Part 2: Popular cinema/Art cinema
5. Are Genres American?
Inflecting American Genres
Deconstructing Genre
Implanted Memories
6. In Search of the National Popular: Carle and Cronenberg
The Sins of Gilles Carle
The Challenge of David Cronenberg
7. Two Canadian Auteurs: Arcand and Egoyan
Ups and Downs: Denys Arcand's History Lessons
Dark Mirrors: Reflections on Atom Egoyan
Postscript
8. Stupid Films and Smart Films
Boys and Girls: The Quebec Stupid Film
Death and Irony: Canadian Smart Films
Part 3: Redefining Canadian Cinema
9. Shifting Centres and Margins
The Cinema We Need?
Dirty Movies and Aerial Views: Jack Darcus and William MacGillivray
Jean Pierre Lefebvre and the Quebec Imaginary
10. Engendering the Nation
Sex in a Cold Climate
Dream Lives: The Rise of Women's Cinema in Canada
The Real and the Visionary: Léa Pool and Patricia Rozema
Thom Fitzgerald's Alien Bodies
11. Possible Worlds: Diasporic Cinema in Canada
Where Is Home? Diasporic Filmmakers in English Canada
Quebec: Métissage and the Politics of Identity
New Worlds/Old Stories
12. The Real and the Imaginary: Canadian Film and the Postmodern Condition
Staging the Global and the Local: Bruce Sweeney and Robert Lepage
Film in Canada in the Twenty-First century: Congorama and Away from Her
Appendix A: Timeline: Canadian Films
Appendix B: 'Lights, Camera, Action' Study Questions
Notes
Bibliography
Filmography

There are no Instructor/Student Resources available at this time.

Jim Leach is professor and director of the Interdisciplinary MA in Popular Culture program in the Department of Communications, Popular Culture and Film at Brock University. His main research and teaching interests include Canadian and British cinema, film theory, and cultural theory. He is the author of numerous books, including Doctor Who (2009), Understanding Movies, now in its fourth edition (with Louis Giannetti, 2008), and British Film (2004).

Making Sense in the Social Sciences - Margot Northey, Lorne Tepperman and Patrizia Albanese

Special Features

  • Contemporary perspective. Draws attention to the most significant influences on Canadian filmmaking, including ethnic and linguistic diversity, national identity, Hollywood, and the global marketplace
  • Comprehensive. Offers thorough coverage of the topics and critical themes essential to discussions surrounding Canadian cinema, highlighting films from the 1960s to the present.
  • Balanced coverage of English- and French-language films. Gives students a thorough treatment of cinematic variation across the country.
  • Analysis of recent films. Discusses the most recent films from prominent Canadian filmmakers, including Denys Arcand's L'Âge des ténèbres, Guy Maddin's My Winnipeg, Philippe Falardeau's Congorama, and Sarah Polley's Away From Her, providing students with the latest information available on Canadian cinema.
  • Current. This is the most up-to-date authority on the subject with scores of new film commentaries throughout, offering a contemporary look at Canadian film.
  • Flexible approach. Each chapter explores both historical trends and current examples of topics and themes, allowing material to be used in sequence or independently.
  • Filmography. A concise alphabetical listing of films, with in-text page references and full production information are provided for quick reference.
New to this Edition
  • Completely revised and updated. Every chapter has been reworked to incorporate new discussions of the most recent Canadian films such as Radiant City, Continental, Outrageous, Perfectly Normal, 3 Needles, and C.R.A.Z.Y as well as new material on the films of Erik Canuel, Paul Gross, André Forcier, Guy Maddin, and David Cronenberg.
  • Expanded discussion of the idea of the canon. Looks at new films such as Le Ring, One Week, Dimanche à Kigali, and Shake Hands with the Devil (Ch 1), revealing how Canadian cinema has evolved.
  • Analysis of Canadian cinema in the 21st century. Heavily rewritten to include analysis of contemporary Canadian cinema, making this the most current resource of its kind
  • Increased historical coverage. Contextualizes the development of the Canadian film tradition (introductory chapter), offering students a solid historical foundation.
  • Fresh collection of Canadian film stills throughout the text will engage students in the material.
  • Extensive pedagogy. Bulleted chapter introductions, lists of further readings, study questions for each chapter, and two summary timelines help students identify and analyze the most salient topics in each chapter.