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Print Price: $13.50

Format:
Paperback
160 pp.
10 b/w halftones, 4.375" x 6.875"

ISBN-13:
9780199760282

Publication date:
August 2012

Imprint: OUP US

The Orchestra: A Very Short Introduction

D. Kern Holoman

Series : Very Short Introductions

In this Very Short Introduction, D. Kern Holoman considers the structure, roots, and day-to-day functioning of the modern philharmonic society. He explores topics ranging from the life of a musician in a modern orchestra, the recent wave of new hall construction from Berlin to Birmingham, threats of bankruptcies and strikes, and the eyebrow-raising salaries of conductors and general managers.

At the heart of the book lies a troubling pair of questions: Can such a seemingly anachronistic organization long survive? Does the symphony matter in contemporary culture? Holoman responds to both with a resounding yes. He shows that the orchestra remains a potent political and social force, a cultural diplomat par excellence. It has adapted well to the digital revolution, and it continues to be seen as an essential element of civic pride. In a time of upheaval in how classical music is created, heard, distributed, and evaluated, the orchestra has managed to retain its historic role as a meeting place of intellectual currents, an ongoing forum for public enlightenment.

Readership : Orchestral music lovers, and introductory-level students of music.

1. Philharmonia
2. Musicians
3. Venue
4. Money
5. Conductors
6. Repertoire
7. Commentary
8. Records
9. Peace
Epilogue: Civics
References
Further Reading
Index

There are no Instructor/Student Resources available at this time.

D. Kern Holoman is Distinguished Professor of Music at the University of California, Davis, and conductor emeritus of the UCD Symphony Orchestra.

Music: A Very Short Introduction - Nicholas Cook
Film Music: A Very Short Introduction - Kathryn Kalinak
World Music: A Very Short Introduction - Philip V. Bohlman
Charles Munch - D. Kern Holoman
Music in the Nineteenth Century - Richard Taruskin
The Score, the Orchestra, and the Conductor - Gustav Meier
The Birth of the Orchestra - John Spitzer
Neal Zaslaw

Special Features

Surveys the structure, roots, and day-to-day functioning of the modern philharmonic society.
Disputes prevalent notions of the death of the orchestra.
Argues for the centrality of the symphony orchestra in cultural diplomacy and civic pride.
Welcomes new media for the consumption of orchestral music.
Updates orchestral history with accounts of recent strikes and bankruptcies on the one hand, and the conspicious success of several massive new concert halls, on the other.