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Oxford University Press is a department of the University of Oxford. It furthers the University's objective of excellence in research, scholarship, and education by publishing worldwide.

Print Price: $37.50

Format:
Paperback
352 pp.
155 mm x 234 mm

ISBN-13:
9780199329335

Publication date:
October 2014

Imprint: OUP US


Doing Oral History

A Practical Guide, Third Edition

Donald A. Ritchie

Series : Oxford Oral History Series

Doing Oral History: A Practical Guide is considered the premier guidebook to oral history, used by professional oral historians, public historians, archivists, and genealogists as a core text in college courses and throughout the public history community. Over the past decades, the development of digital audio and video recording technology has continued to alter the practice of oral history, making it even easier to produce quality recordings and to disseminate them on the Internet. This basic manual offers detailed advice on setting up an oral history project, conducting interviews, making video recordings, preserving oral history collections in archives and libraries, and teaching and presenting oral history.

Using the existing Q&A format, the third edition asks new questions and augments previous answers with new material, particularly in these areas:

1. Technology: As before, the book avoids recommending specific equipment, but weighs the merits of the types of technology available for audio and video recording, transcription, preservation, and dissemination. Information about web sites is expanded, and more discussion is provided about how other oral history projects have posted their interviews online.
2. Teaching: The new edition addresses the use of oral history in online teaching. It also expands the discussion of Institutional Review Boards (IRBs) with the latest information about compliance issues.
3. Presentation: Once interviews have been conducted, there are many opportunities for creative presentation. There is much new material available on innovative forms of presentation developed over the last decade, including interpretive dance and other public performances.
4. Legal considerations: The recent Boston College case, in which the courts have ruled that Irish police should have access to sealed oral history transcripts, has re-focused attention on the problems of protecting donor restrictions. The new edition offers case studies from the past decade.
5. Theory and Memory: As a beginner's manual, Doing Oral History has not dealt extensively with theoretical issues, on the grounds that these emerge best from practice. But the third edition includes the latest thinking about memory and provides a sample of some of the theoretical issues surrounding oral sources. It will include examples of increased studies into catastrophe and trauma, and the special considerations these have generated for interviewers.
6. Internationalism: Perhaps the biggest development in the past decade has been the spreading of oral history around the world, facilitated in part by the International Oral History Association. New oral history projects have developed in areas that have undergone social and political upheavals, where the traditional archives reflect the old regimes, particularly in Eastern Europe, the Middle East, Asia, Africa, and Latin America. The third edition includes many more references to non-U.S. projects that will still be relevant to an American audience.

These changes make the third edition of Doing Oral History an even more useful tool for beginners, teachers, archivists, and all those oral history managers who have inherited older collections that must be converted to the latest technology.

Readership : Suitable for oral historians, librarians, archivists, historians, genealogists, and academics in other disciplines--anthropology, sociology, journalism, etc.--that use interviewing to collect information.

Introduction and Acknowledgments
1. An Oral History of Our Time
Memory and Oral History
Public History and Oral History
2. Setting Up An Oral History Project
Funding and Staffing
Equipment
Processing
Legal Concerns
Archiving and the Internet
3. Conducting Interviews
Preparing for the Interview
Setting up the Interview
Conducting the Interview
Concluding the Interview
4. Using Oral History for Research
Oral Evidence
Theory
Publishing Oral History
5. Videotaping Oral History
Setting and Equipment
Processing and Preserving Video Recordings
Video Documentaries, Exhibits, and the Internet
6. Preserving Oral History in Archives and Libraries
Managing Oral History Collections
Sound Recordings
Digital Oral Archives
Donated Interviews
Legal Considerations
Public Outreach
7. Teaching Oral History
Oral History in Elementary and Secondary Schools
Oral History in Undergraduate and Graduate Education
Institutional Review Boards
8. Presenting Oral History
Oral History Web Sites
Community History
Family Interviewing
Therapeutic Uses of Oral History
Museum Exhibits
Radio Television
Performance
Appendix 1: Best Practices of the Oral History Association
Appendix 2: Sample Legal Release Forms
Notes and References
Bibliography
Internet Resources
Index

There are no Instructor/Student Resources available at this time.

Donald A. Ritchie is Historian, U.S. Senate Historical Office; past president of the Oral History Association; editor of the The Oxford Handbook of Oral History and author of Press Gallery: Congress and the Washington Correspondents and Reporting from Washington.

Writing History - William Kelleher Storey and Towser Jones
The [Oxford] Handbook of Oral History - Edited by Donald A. Ritchie
A Guide to Oral History and the Law - John Neuenschwander

Special Features

  • A definitive step-by-step guide that provides advice and explanations on how to create recordings that illuminate human experience for generations to come.
  • Illustrated with examples from a wide range of projects.
  • An authoritative guide offering clear, practical, and detailed advice for students, teachers, researchers, and genealogists who wish to record the history of their own families and communities.
New to this Edition
  • More information about web sites and more discussion provided about how other oral history projects have posted their interviews online.
  • Addresses the use of oral history in online teaching.
  • New material available on innovative forms of presentation developed over the last decade, including interpretive dance and other public performances.
  • Offers case studies from the past decade.
  • Includes the latest thinking about memory and provide a sample of some of the theoretical issues surrounding oral sources.
  • Includes many more references to non-U.S. projects that will still be relevant to an American audience.