This book examines one of the most pervasive, but also perplexing, textual phenomena of the early modern world: the manuscript miscellany. Faced with multiple problems of definition, categorization, and (often conflicting) terminology, modern scholars have tended to dismiss the miscellany as
disorganized and chaotic. Miscellaneous Order radically challenges that view by uncovering the various forms of organization and order previously hidden in early modern manuscript books. Drawing on original literary and historical research, and examining both the materiality of early modern
manuscripts and their contents, this book sheds new light on the transcriptive and archival practices of early modern Britain, as well as on the broader intellectual context of manuscript culture and its scholarly afterlives.
Based on extensive archival research, and interdisciplinary in
both subject and matter, Miscellaneous Order focuses on the myriad kinds of manuscript compiled and produced in the early modern era. Showing that the miscellany was essential to the organization of knowledge across a range of genres and disciplines, from poetry to science, and from recipe books to
accounts, it proposes a new model for understanding the proliferation of manuscript material in the sixteenth and seventeenth centuries. By restoring attention to "miscellaneous order" in this way, it shows that we have fundamentally misunderstood how early modern men and women read, wrote, and
thought. Rather than a textual form characterized by an absence of order, the miscellany, it argues, operated as an epistemically and aesthetically productive system throughout the early modern period.
Introduction: Defining the Miscellany
1. Commonplace Failure
2. The Early Modern Omnigatherum
3. Chorography and Antiquarian Compilation
4. Merchants and Miscellany Making
5. Sir Hugh Plat's Network of Notebooks
6. Bacon's Filing
Coda: Whither Miscellany
Culture?
Appendix: John Ramsey's 'Catalogus Authorum'
Glossary
Bibliography
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Angus Vine is Lecturer in Early Modern Literature at the University of Stirling. His research focuses on the literary and intellectual history of sixteenth- and seventeenth-century England. His interests include manuscript culture, book history, textual scholarship, epistemology,
antiquarianism, and editing. He is the author of In Defiance of Time: Antiquarian Writing in Early Modern England (2010, with Abigail Shinn), The Copious Text: Encyclopaedic Books in Early Modern England (2014), and (with Katie Halsey) Shakespeare and Authority: Citations, Conceptions, and
Constructions (2018). He is currently editing Volume 3 of The Oxford Francis Bacon (with Richard Serjeantson) and Volume 4 of The Oxford Traherne (with Ann Moss).
