From Dorset sculpture to traveling circuses to the Barenaked Ladies, award-winning historian Jonathan Vance reveals a storyteller's ear for narrative.
In a country of unparalleled diversity, "culture" has many different shades of importance and meaning. A stranded Innu woman found
by eighteenth-century explorers in the wind-swept Arctic took the time to decorate her clothing with rich designs. The explorers were taken aback; but Vance informs us that the Inuit word meaning "to make poetry" is the same as the word for "breathe"; and both derive from the word for "the soul."
Unsurprisingly, Aboriginal culture began to change with the arrival of more Europeans (who brought their own ideas about culture) in one of the many complicated and intertwined tales that Vance weaves together to explore Canada's cultural history.
Vance considers other key issues.
Where, for example, is the divide between "culture" and mass entertainment? He describes plays created by sailors trapped in an ice-bound ship through the Arctic winter; "occasionally lewd" tavern music; an early version of Macbeth with a Monty Pythonesque twist--in Canada, so-called high and low
culture have coexisted uneasily, and intermingled creatively.
Vance reveals that the hot-button cultural issues we all know and love--government funding for the arts, the cultural brain drain, the drive to preserve distinctly Canadian forms of expression, concerns over copyright
protection, the economic impact of cultural industries--can be traced back to previous centuries. Taking into account both the past and modern developments, such as the thriving culture of Quebec and the evolution of the CBC, Vance addresses one of the quintessential anxieties of Canadians--where,
and what, is our culture?
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Introduction
1. The First Artists
2. The Meeting and Mingling of Cultures
3. Colonial Societies
4. Popular Culture
5. Culture on the Frontier
6. The Dream of Useful Knowledge
7. "Streaks on the Horizon"
8. Importing Culture
9. Exporting Culture
10. The First World War
11. The New Parliament of Art
12. Patron Saints of Culture
13. The Second World War
14. Government Patronage
15. The Cultural Flowering
16. The Regulatory State
17. Towards the Future
Conclusion
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Jonathan Vance holds the Canada Research Chair in Conflict and Culture in the Department of History at The University of Western Ontario. His books and articles include Death So Noble: Memory, Meaning, and the First World War (1997), High Flight: Aviation and the Canadian Imagination (2002),
and Building Canada: People and Projects that Shaped the Nation (2006). He is currently exploring a new project on regional enlistment rates in Canada during the Great War.
The Oxford Companion to Canadian History - Edited by Gerald Hallowell
The Peoples of Canada - J.M. Bumsted
Labouring Canada - Edited by Brian D. Palmer and Joan Sangster
Writing History - William Kelleher Storey and Towser Jones
A History of Atlantic Canada - Margaret R. Conrad and James K. Hiller
Rethinking Canada - Edited by Mona Gleason and ed Adele Perry
A Concise History of Canada's First Nations - Olive Patricia Dickason and adapted by Moira Calder
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