The unique relationship between word and image in ancient Egypt is a defining feature of that ancient culture's records. All hieroglyphic texts are composed of images, and large-scale figural imagery in temples and tombs is often accompanied by texts. Epigraphy and palaeography are two distinct,
but closely related, ways of recording, analyzing, and interpreting texts and images. This Handbook stresses technical issues about recording text and art and interpretive questions about what we do with those records and why we do it. It offers readers three key things: a diachronic perspective,
covering all ancient Egyptian scripts from prehistoric Egypt through the Coptic era (fourth millennium BCE-first half of first millennium CE), a look at recording techniques that considers the past, present, and future, and a focus on the experiences of colleagues.
The diachronic
perspective illustrates the range of techniques used to record different phases of writing in different media. The consideration of past, present, and future techniques allows readers to understand and assess why epigraphy and palaeography is or was done in a particular manner by linking the aims of
a particular effort with the technique chosen to reach those aims. The choice of techniques is a matter of goals and the records' work circumstances, an inevitable consequence of epigraphy being a double projection: geometrical, transcribing in two dimensions an object that exists physically in
three; and mental, an interpretation, with an inevitable selection among the object's defining characteristics. The experiences of colleagues provide a range of perspectives and opinions about issues such as techniques of recording, challenges faced in the field, and ways of reading and interpreting
text and image. These accounts are interesting and instructive stories of innovation in the face of scientific conundrum.
List of Illustrations
Abbreviations
Introduction: Vanessa Davies and Dimitri Laboury
I. Cultural and Material Setting
1. Form, Layout, and Specific Potentialities of the Ancient Egyptian Hieroglyphic Script, Pascal Vernus
2. The Content of Egyptian Wall Decoration, Niv
Allon
3. The Egyptian Theory of Monumental Writing as Related to Permanence or Endurance, Boyo G. Ockinga
4. The Historical Record, Peter Brand
5. Egyptian Epigraphic Genres and Their Relation with Non-epigraphic Ones, Julie Stauder-Porchet and Andreas Stauder
6. Designers and
Makers of Ancient Egyptian Monumental Epigraphy, Dimitri Laboury
7. Audiences, Hana Navratilova
8. The Materials, Tools, and Work of Carving and Painting, Denys A. Stocks
9. Recording Epigraphic Sources as Part of Artworks, Gabriele Pieke
II. Historical Efforts at Epigraphy
1.
When Ancient Egyptians Copied Egyptian Work, Tamás A. Bács
2. When Classical Authors Encountered Egyptian Epigraphy, Jean Winand
3. Interpretations and Re-use of Ancient Egyptian Hieroglyphs in the Arabic Period (Tenth-Sixteenth Centuries CE), Annette Sundermeyer
4. The Reception of
Ancient Egypt and Its Script in Renaissance Europe, Lucie Jirásková
5. The Epigraphy of Egyptian Monuments in the Description de l'Égypte, Éric Gady
6. The Rosetta Stone, Copying an Ancient Copy, Ilona Regulski
7. The Epigraphic Work of Early Egyptologists and Travelers to Egypt, Lise
Manniche
8. Karl Richard Lepsius and The Royal Prussian Expedition to Egypt (1842-1845/6), Christian E. Loeben
9. Nineteenth-Century Foundations of Modern Epigraphy, Virginia L. Emery
10. Late Nineteenth- and Early Twentieth-Century Developments in Epigraphy, Vanessa Davies
III.
Traditional and New Techniques of Epigraphy
1. How to Publish an Egyptian Temple?, Claude Traunecker
2. Epigraphic Techniques Used by the Edfu Project, Dieter Kurth
3. Online Publication of Monuments, Willeke Wendrich
4. Tradition and Innovation in Digital Epigraphy, Krisztián
Vértes
5. 3D scanning, Photogrammetry, and Photo Rectification of Columns in the Karnak Hypostyle Hall, Jean Revez
6. An Assessment of Digital Epigraphy and Related Technologies, Peter Der Manuelian
7. Typical, Atypical, and Downright Strange Epigraphic Techniques, Will Schenck
8.
The Chicago House Method, J. Brett McClain
9. The So-called "Karnak Method", Christophe Thiers
10. Practical Issues Concerning Epigraphic Work in Tombs and Temples, Hanane Gaber
11. The Application of a Logic of Writing-Imagery to Palaeographic Interpretation in the Formative Phase of
Writing, Ludwig Morenz
12. Reading, Editing, and Appreciating the Texts of Greco-Roman Temples, Laure Pantalacci
13. History of Recording Demotic Epigraphy, Jan Moje
14. Graffiti, Chiara Salvador
15. Practical Issues with the Epigraphic Restoration of a Biographical Inscription,
Andrés Diego Espinel
16. Relationships between the Community of Sheikh Abd al-Qurna and Ancient Egyptian Monuments, Andrew Bednarski and Gemma Tully
IV. Issues in Paleography
1. The Significance of Medium in Palaeographic Study, Dimitri Meeks
2. Hieroglyphic Palaeography, Frédéric
Servajean
3. Methods, Tools, and Perspectives of Hieratic Palaeography, Stéphane Polis
4. Carved Hybrid Script, Mohamed Sherif Ali
5. Cursive Hieroglyphs in the Book of the Dead, Rita Lucarelli
6. Some Issues in and Perhaps a New Methodology for Abnormal Hieratic, Koen Donker van
Heel
7. Demotic Palaeography, Joachim Quack, Jannik Korte, Fabian Wespi, Claudia Maderna-Sieben
8. Issues and Methodologies in Coptic Palaeography, Anne Boud'hors
9. Digital Palaeography of Hieratic, Svenja A. Gülden, Celia Krause, Ursula Verhoeven
10. Hieratic Palaeography in
Literary and Documentary Texts from Deir el-Medina, Hans-Werner Fischer-Elfert
Index
There are no Instructor/Student Resources available at this time.
Vanessa Davies, Ph.D., is an Egyptologist. She has published on the interplay of ancient Egyptian text and art, epigraphy, and the palaeography of hieroglyphs.
Dimitri Laboury, Ph.D., is Research Director of the FNRS and Associate Professor at the University of Liège, Belgium. As an
Egyptologist, he specializes in the study of ancient Egyptian art and artists.
